In Unrelica's debut album, Heaven Has Come, the music as dogmatic fiction and semi-free fiction is conceptualized by hybridizing with modular synth tones, multi-layered micro rhythms, and classical orchestration elements.

 

The lyrics, which refer to the survival forms of the individual in the grip of a painful reality and dreams that will obviously end with an unhappy ending, convey sometimes a pessimistic collapse from a masculine voice and sometimes a cynical manifestation of post-reality with a carnivalesque alternative from a feminine voice.

 

Describing the album as a glass raised to our personal and premature apocalypse, Unrelica sees his name, which he created by negating the word "relic", as a definition for his music as well.